Just to pull this out and give it its own post for emphasis.
So, apparently Larry Correia and Vox Day offered on their Web sites a slate of suggested nominees for several Hugo categories, and several of their suggested nominees hit the final ballot. This has made a number of people feel things ranging from annoyance to outrage, with the commensurate suggestion that, if such a thing is not illegal, then it’s at least just not done. So let me offer a couple of thoughts.
1. Does what these two fellows have done contravene the actual Hugo nomination rules? If they answer is “no” (and it does in fact appear to be “no”), then fair play. Game on.
2. As to the “it’s just not done” thing: Well, now it has. And as it’s been done, and it’s by all indications entirely legal, wasting time griping that it’s happened, with regards to this year’s voting, seems like frittering to me. Again: Game on.
3. But it’s also not entirely honest to say that it’s not been done before, either. Lots of people suggest or at least remind people of their own works for consideration (I do the latter); lots of people suggest or at least remind people of the works of others for consideration. Just this year I suggested Abagail Nussbaum for Fan Writer; there she is on the ballot. Was my recommendation causative? Maybe, maybe not (I suspect not — she’s built a reputation over a number of years), but the point is I made the recommendation.
The new wrinkle here would be Correia/Day allegedly exhorting a comprehensive slate of nominees for the purpose of annoying people they would like to annoy, rather than with regard to the quality of the works offered. I’m not sure that’s the whole story (From what I can see, I think the list was composed to highlight works these fellows found worthy, and also, as a bonus, they thought they’d annoy some folks in the bargain). But again, even if the least charitable interpretation holds, see point one and point two. You may see this as a cynical, contemptuous of the awards and the people who vote for them, and just a real dick move. But even if it were, eh. Yet again: this is the hand the Hugos are dealt this year. Let’s go ahead and play it.
4. More to the point for me, even if we grant that a slate of nominees were engineered to get on the ballot for the purposes of annoying some voters, and to make some obtuse point about politics and the Hugos, why should anyone be obliged to play along by those assertions? To paraphrase a point I made yesterday on Twitter, how terrible it would be if someone elbowed their way onto the Hugo list to make a political point, and all that happened was that their nominated work was judged solely by its artistic merits.
If work was shunted onto the list to make a political point and without regard to its quality, and it is crap, you’re going to know it when you read that work, and you should judge it accordingly. And if a work was shunted onto the list to make a political point and without regard to the quality, and it’s pretty good, you’re going to know that too — and you should judge it accordingly. If you believe that these fellows pushed their way onto the list to make a political point, nothing will annoy them more than for their work to be considered fairly. It undermines their entire point.
It doesn’t mean you give a work an award, if you find it lacking. But you treat it fairly. And yes, it’s entirely possible that in this formulation, anything less than a win will be seen by them as evidence of politics. But again: Why would you accede to such assertions? If their works win, good for them. If they lose, that’s life. Speaking as a six-time Hugo loser, who once lost a Hugo by a single vote, let me just say that when you’re a grown-up, you learn to accept you don’t get everything you want.
5. Please also keep in mind that even if you believe that the list is a cynical exercise, there are people and work on that list who may be well worth consideration, who may or may not have even known they were part of (or would have consented to) being part of a cynical exercise. Consider that you would be doing them (and the Hugos) a disservice to dismiss them out of hand. I’ve seen rumblings of people suggesting they’ll put everyone on the Correia/Day slate below “no award” no matter what, but if you’re doing that, you’re making these fellows’ alleged point for them. Again: Why do that? It’s nearly as easy to read a work (or at least, read as far as can) and decide it’s just not for you. And if it is for you, well. Surprise!
6. On a strictly personal note, at least one of these fellows apparently wishes to assert that the reason they’re introducing politics into the mix here is because I did it before them, i.e., that this is somehow really my fault. Well, no. One, just because this dude doesn’t like me, it doesn’t make me responsible for his actions. That’s the sort of “he made me do it” logic you give up when you’re twelve. Two, I’ve certainly made people aware of my work, and given space on my site to let others do the same; I’m not aware of ever having said “here’s a slate of people you should nominate for this award, including me.” Totally legal and no reason not to, if you think it’s something you want to do. Not something I would want to do, or have done.
But if the suggestion is that I’ve been strategic about getting onto the Hugo ballot at times, well. It would be disingenuous of me to suggest I haven’t. I have, and certainly I know that’s annoyed people before. But, oh well — and no matter what at the end of the day what I was on the ballot for had to fact the other nominees in the category. Sometimes that work fared well, and I took home a Hugo. But I also have my share of fifth place finishes, too.
I think maybe this is why I’m less annoyed with the Correia/Day slate than others. If they’re on the ballot due to crafty strategy, well, good for them. A nice trick if you can manage it. But now they have to compete. I look who’s on the ballot with them, and this is what I have to say about that: Good luck, guys. You’re gonna need it.
7. Ultimately, here’s what I think about this year’s slate: It’s got some stuff on it I already know I like. It’s got some stuff on it that I already know I don’t like. And it’s got some stuff on it I haven’t read, so I’ll read it and decide what I think.
In other words; it’s a Hugo slate pretty much any Hugo slate in any year. I plan to treat it exactly like I treat any Hugo slate in any year. You might consider it, too.
Swancon being Western Australia’s premier science fiction convention, don’t you know. Yes, next year I will be in Perth, round about Easter-time. It’ll be fun! And if you’re in Australia, you should pop by. I mean, everything in Australia is close to everything else, right?
I made a video for Swancon to show when they announced my IGoHness. Here it is:
I stand by every word, especially the words about the Tim Tams.
Every year since Athena was an infant, this particular Easter bunny has shown up with a basket of treats for her. And look! The bunny’s back! Good to see some things don’t change.
A very happy Easter to those of you who celebrate it. And for those of you who don’t, have a wonderful day anyway.
Because, I have them!
* Nope, I’m not on the ballot this year. It will happen. As I won the best novel Hugo last year, I am perfectly fine with that. It’s nice to spread around the joy.
* I think it’s an interesting slate this year: Lots of stuff to like, a few things to puzzle over, and as always lots of fodder for discussion. On the novel ballot it’s particularly interesting to see Wheel of Time (the complete series) there — it’s a quirk of the Hugo rules that if any individual book of a series hasn’t been nominated, the entire series can be. So here we are with the whole series. Quirky Hugo rules are fun.
* I just know you’re all dying to know what I think of Vox Day’s nomination in the Novelette category. I think this: One, I haven’t read the story in question, so I can’t possibly comment on it. Two, the Hugo nomination process is pretty straightforward — people nominate a work in a category. If it gets enough votes, it’s a nominee. If the work’s on the ballot, it’s because enough nominators wanted it there. Three, the Hugo rules don’t say that a racist, sexist, homophobic dipshit can’t be nominated for a Hugo — nor should they, because in that particular category at least, it’s about the work, not the person.
In sum: Vox Day has every right (so far as I know, and as far as you know, too) to be on the ballot. You may not like it, or may wish to intimate that the work in question doesn’t deserve to be on the ballot, but you should remember what “deserve” means in the context of Hugo (i.e., that the nominators follow the rules while nominating), and just deal with it like the grown up you are.
* Apropos of nothing in particular, however, I will note that in every category it is possible to rank a nominated work below “No Award” if, after reading the work in question and giving it fair and serious consideration, you decide that it doesn’t deserve to be on the ballot and, say, that its presence on the ballot is basically a stunt by a bunch of nominators who were more interested in trolling the awards than anything else. Just a thing for you to keep in mind when voting time rolls around.
* Also, remember when I said that one of the drawbacks of announcing the Hugo Awards on the Saturday between Good Friday and Easter was that it means that the stories the media will pick up on during the week will be the outraged reactions? Yeah, this is very likely to be another year that it works that way, I think.
* On a related note, and to get out ahead of what I suspect will be a talking point, I think people may wish to suggest that aside from Vox Day there are other writers on the Hugo ballot who are there more for political and/or trolling purposes than for the quality of the nominated work, and in particular writers who are known to be more on the politically conservative side of things.
Here’s what I have to say about that: You know what? Don’t do that. Instead, take a look at the work, read the work, and if you like the work, place it appropriately on your ballot. Because why shouldn’t you? Regardless of how a work got on the ballot (or more accurately in this case, how you think it got onto the ballot), it’s there now. Read the books and stories. If you like them, great. If you don’t, there’s plenty of other excellent work on the ballot for your consideration.
Let me put it this way: In the last year, Larry Correia and Brad Torgersen have teed up on me several times in blog posts and comments, for their own various reasons. They don’t have my politics or my world view in a lot of things. But I’m looking forward to reading their nominated works, and if one of them really catches my fancy, and I don’t see why I wouldn’t vote for it. Correia and Torgersen disagreeing with me or trying to score points off of me for their own purposes isn’t really enough to dissuade me from giving their work a fair shake. It’s a pretty simple thing as far as I’m concerned. Your mileage may vary, of course. But this is my mileage.
* I noted on Twitter that I was delighted that yet again the Fan Writer Hugo category will have a new winner this year — no one nominated this year has won it before. It really does make me happy this has been the path of this particular Hugo category.
Aaaaaand those are my immediate Hugo thoughts. Your thoughts on my thoughts?
Here are the nominees this year!
1923 valid nominating ballots were received and counted from the members of LoneStarCon 3, Loncon 3 and Sasquan. (1889 Electronic and 34 Paper.)
BEST NOVEL (1595 ballots)
BEST NOVELLA (847 ballots)
BEST NOVELETTE (728 ballots)
BEST SHORT STORY (865 ballots)
Note: category has 4 nominees due to a 5% requirement under Section 3.8.5 of the WSFS constitution.
BEST RELATED WORK (752 ballots)
BEST GRAPHIC STORY (552 ballots)
BEST DRAMATIC PRESENTATION (LONG FORM) (995 ballots)
BEST DRAMATIC PRESENTATION (SHORT FORM) (760 ballots)
Note: category has 6 nominees due to a tie for 5th place.
BEST EDITOR – SHORT FORM (656 ballots)
BEST EDITOR – LONG FORM (632 ballots)
BEST PROFESSIONAL ARTIST (624 ballots)
Note: category has 6 nominees due to a tie for 5th place.
BEST SEMIPROZINE (411 ballots)
BEST FANZINE (478 ballots)
BEST FANCAST (396 ballots)
Note: category has 7 nominees due to a tie for 5th place.
BEST FAN WRITER (521 ballots)
BEST FAN ARTIST (316 ballots)
JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER (767 ballots)
Award for the best new professional science fiction or fantasy writer of 2012 or 2013, sponsored by Dell Magazines (not a Hugo Award).
*Finalists in their 2nd year of eligibility.
Congrats to the nominees! I will have more comments on the slate later. Feel free to discuss the nominations in the comment thread.